Monday 18 November 2013

Backstreet Art in Ipoh

Penang is already well-known for its street art or wall graffiti by Ernest Zachervic.   Some are painted on worn-out walls while others are created out of iron bars within its Heritage Enclave . Recently, Johor Baru too, hit the headlines for its controversial wall graffiti. However, a bit less well-known to many, is that Ipoh too has its share of street art and came up with its own version.  However, the street art of Ipoh is only found on the walls along a back lane, between Hugh Low Street (Jalan Sultan Iskandar) and Hume Street (Jalan Masjid Panglima).  It seems these are the work of an art teacher, Eric Lai and his students.  Generally, they are centred around the theme of games children used to play and other common local economic activities which were carried out in the past.


 
This a drawing of a rice farmer riding a water-buffalo, which was a very common sight in the rural areas a few decades ago.  Today, not many farmers use buffaloes.  Tractors and modern machines have replaced them

 
This is a picture of a lady rice farmer carrying a sickle.  Again, this was very common in the past, but now harvesting is mostly done by machines.

 
A fisherman landing his bountiful catch.

 
Young men and their lion dance.

 
Another favourite hobby of young people in the past - keeping fighting .  There used to be a lot of fighting fish in the padi fields and the nearby ponds.  My cousin, Ah Chai, used to claim that the best fighting fish are those from the rice fields of Thailand.  They are the best fighters.  These fish just can't stand the sight of another of its kind.  The moment one is put into a jam jar with another, both will change into dark colour and fins, gill covers expanded. Watching these fish fight could be quite a experience for the uninitiated. Almost immediately, they really tear at each other, usually leaving the loser dead.  Do children of today still challenge each other to a fighting fish fight?  I don't know. I have not seen any children carrying fighting fish in plastic bags or jam jars around to visit friends anymore. 

 
Then, we have a Malay cultural activity here - kuda kepangThis is a kind of hobby horse performance that is a popular form of dance in Johor.

 
A zoomed-out view of the back lane.  Notice the emptiness - unlike in the past, now there is no children running around, playing games and shouting at the top of their voices.  In the past, for most of the children in towns, the back lanes were their playground.   .   

 
An Indian classical dancer is depicted here.

 
Children playing hide-and-seek.  This was something we used to see at back-lanes, but not anymore. 

 
The children telling the viewer not to reveal where they are. 

 
Ah! So that boy on the left is supposed to seek the others.

 
Boys won't let the girl join them

 
Another common economic activity in the past.  Mining for tin ore.  Panning or dulang washing, as it is called, locally.

 
This looks like another old favourite game of chicken and the fox.  The mother hen is supposed to protect the chicks from the fox. 

 
Blowing soap bubbles using bottle-cap openers.


And, on sunny days - children used to cycle to the nearest stream or waterfall for a swim.  Their bicycles are on the left.
 
 
 
From the drawings I  get the general impression that the artist is trying to preserve memories of his childhood days on the walls of this memory lane.  Maybe he used to stay there. Anyway, it is a job well done, indeed. Let's hope he and his students will continue to add more pictures like these to the existing ones.   Like they say, every picture has a story to tell.  I'm sure, for every one who was a child in the 1950's - 1970's era, can identify with these drawings and will have their own story to tell to their children and grandchildren who otherwise may find these drawings quite meaningless. 


  
 
 

Friday 15 November 2013

Bits of Bukit Mertajam in Taiping

This is the process of the unstoppable "progress" that a society has to undergo.  Sometimes bits and pieces of a particular community will undergo changes and disappear from the memory of its residents. That's part and parcel of progress and it is inevitable.  But fortunately, there are people around who like to  "preserve" some of these bits and pieces from disappearing altogether. So,  I was pleasantly surprised when I stumbled upon bits and pieces of the old Bukit Mertajam railway station in Taiping town.  The old railway station at Bukit Mertajam has been torn down and has been replaced by a 'modern' one.   This is something which is happening to all the old railway stations on the west coast of this country  They have to make way for a modern double-track railway system. And, they are all being razed down and are being replaced by  modern ones, except for two - one in Batu Gajah, and another in Taiping.   I have often wondered what happened to the "remains" old these old landmarks?   Well, I discovered that the First Gallery in Taiping does have an interest in preserving such 'relics'.  So, they have brought bits and pieces of Bukit Mertajam old railway to their backyard.   I don't know if these bits and pieces will be re-assembled or not, but they are left there - safe from total extinction, at least for the time being.  The First Gallery in Taiping must be congratulated for acquiring these bits and pieces, which I am sure, are not wanted by Bukit Mertajam's folks.  Whether they are a gift or whether they were purchased as scraps, the First Gallery people must be commended.   They have preserved a piece of the past, which can no longer be seen elsewhere, for the future generations to see and appreciate.    
      
 
 
This is a part of the overhead bridge for passengers to cross the railway lines from one platform to another

 
The signboard that used to be at the old railway station
 

 
The overhead bridge 

 
 The interior of the overhead bridge.  The timber is still in good condition.

               
 
 
 
Will it be re-assembled?   Hopefully, so.

 
 

 

 
 

 
 
 
 
Once re-assembled, it may lead visitors from one part of the First Gallery to another.